REVIEWS

/ Adel Abdessemed
View of Adel Abdessemed, “Solo,” Yvon Lambert, Paris, 2014.
by

Mara Hoberman

The news that Yvon Lambert is closing his Paris gallery is hardly shocking. What is remarkable, however, is how long his run lasted. Fifty-plus years spent working with contemporary artists puts Lambert in the rare position of being both an art historical footnote and a current art market player. The... continue reading

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