REVIEWS

/ Alexandra Navratil
Alexandra Navratil, Buoyancy, 2014.
by

Aoife Rosenmeyer

A day prior to the opening of Alexandra Navratil’s “Plunge / Soar,” an article appeared in The Economist online suggesting that the low cost of human labor—brought even lower as other automated processes render people redundant—would be the major barrier to the widespread adoption of driverless cars.(1) This interesting—and horrifying—thought has... continue reading

AUTHOR

view all

GALLERY

view all
Abc
Bq
Kow
M+B
Non
Vw

ARTIST

view all
Deweer
Camera Austria
Michael Kon
Kaleidoscope
Sprueth Magers
Brooklyn Rail
Air the paris
ArtAsiaPacific
sp-arte
Carolina Nitsch
Hilger
P420
Blum&Poe