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/ Allora & Calzadilla
Allora & Calzadilla

FUNDACIó ANTONI TàPIES, Barcelona

Allora & Calzadilla,  Stop, Repair, Prepare: Variations on Ode to Joy, No.3, 2008.
by

Mariana Canepa Luna

A piercing whistle punctuates the blaring of a trumpet. But in the columned central space of the Fundació Antoni Tàpies, the only visible instrument is a grand piano. For three days a week throughout the course of the exhibition, the instrument is played—and, one could say, worn—by a pianist who... continue reading
Allora & Calzadilla at Kurimanzutto, Mexico City
by

Adam Kleinman

When viewing Compass, I had an uncanny feeling of being lost. Part of this had to do with the theatrical power of the work, yet a sense of dread came over me as I realized that this was actually a restaging. Although it is great to revisit a work, this new context leads to some measure of troubling questions. Namely, in this re-presentation, the artists had swapped out the video that was paired with the work the first time—and, in so doing, provided a problematic... continue reading

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