REVIEWS

/ Allora & Calzadilla
Allora & Calzadilla at Kurimanzutto, Mexico City
by

ADAM KLEINMAN

When viewing Compass, I had an uncanny feeling of being lost. Part of this had to do with the theatrical power of the work, yet a sense of dread came over me as I realized that this was actually a restaging. Although it is great to revisit a work, this new context leads to some measure of troubling questions. Namely, in this re-presentation, the artists had swapped out the video that was paired with the work the first time—and, in so doing, provided a problematic... continue reading

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Xavier Hufkens
Magazine Mousse
Brooklyn Rail
P420
Spike
MIA Art Fair
Marion
ArtAsiaPacific
Friedrich Petzel
Carolina Nitsch
X-TRA
flashart
The breeder