REVIEWS

/ Amie Siegel
Amie Siegel’s “Backstory”

THOMAS DANE GALLERY, London

Amie Siegel, Repose, 2018.
by

Filipa Ramos

Continuously reappearing throughout the French version of Jean-Luc Godard’s 1963 film Le Mépris [Contempt], Georges Delerue’s melody Thème de Camille is the epitome of contained tragedy. Composed for a string orchestra, it has a regular, continuous motif traversed by arpeggios in counterpoint. This combination creates an immensely pleasurable (and sad)... continue reading
Amie Siegel, Double Negative, 2015.
by

Orit Gat

Exhibition spaces are, at times, haunted by the work they housed in the past. Walk through a museum and former installations will reverberate. Think of the Arsenale in Venice, visited by the ghosts of biennials past. This is all the more evident in galleries. The steady relationship between a gallery... continue reading

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