REVIEWS

/ Ana Mendieta
View of Ana Mendieta's "Experimental and Interactive Films," Galerie Lelong, New York, 2016.
by

Kim Levin

It is now impossible to speak of Ana Mendieta’s pioneering, ritualized, land-body performance art without referring to the still unsettling manner of her untimely death—fallen, pushed, or thrown from a 34th-story window on Mercer Street, New York. Back in 1988, shortly after her husband Carl Andre was acquitted of Mendieta’s murder,... continue reading

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