REVIEWS

/ Carolee Schneemann
Carolee Schneemann’s “Further Evidence – Exhibit A & B”

P•P•O•W GALLERY AND GALERIE LELONG, New York

Carolee Schneemann, Fresh Blood - A Dream Morphology, 1983/2004.
by

Leo Goldsmith

Exploded canvases, split screens and multiple channels, mixed-, multi-, and inter-media: Carolee Schneemann has been clear in her rejection of medium specificity in favor of what one might call medium promiscuity. Since the early 1960s, she has consistently incorporated images (both moving and still) into multimedia environments that include elements... continue reading
Carolee Schneemann, Water Light/Water Needle (Lake Mahwah, NJ), 1966.
by

Morgan Quaintance

An idyllic scene of Dionysian abandon: six naked bodies splash across the sun-flecked, crystalline surface of a lake, moving, one by one, in slow motion past the camera’s lens. They are all smiling, healthy, happy, vital, and young. This is the opening sequence of Water Light/Water Needle (Lake Mahwah, NJ)... continue reading

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