REVIEWS

/ Charlie Godet Thomas
View of Charlie Godet Thomas’s “Roman-fleuve,” Vitrine, Basel.
by

Aoife Rosenmeyer

An exhibition vitrine in a contemporary exhibition is a knowing nod to long traditions of display. By recreating a form of museum presentation, it relates to what Tony Bennett calls the “museum idea”(1) and its way of defining knowledge and, more broadly, power. Museums, according to Bennett, are places where... continue reading

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