REVIEWS

/ Charlie Godet Thomas
View of Charlie Godet Thomas’s “Roman-fleuve,” Vitrine, Basel.
by

Aoife Rosenmeyer

An exhibition vitrine in a contemporary exhibition is a knowing nod to long traditions of display. By recreating a form of museum presentation, it relates to what Tony Bennett calls the “museum idea”(1) and its way of defining knowledge and, more broadly, power. Museums, according to Bennett, are places where... continue reading

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sp-arte
The Third Line
Spike
Blum&Poe
Aperture
Cardi Black Box
Hilger
Sprueth Magers
GALLERIA MASSIMODELUCA
X-TRA
Deweer
Friedrich Petzel
Michael Kon