REVIEWS

/ Cobra
View of “The Avant-Garde Won’t Give Up: Cobra and Its Legacy,” Blum & Poe, New York, 2015.
by

Rachel Wetzler

Cobra, a short-lived association of artists based in Copenhagen, Brussels, and Amsterdam who published an eponymous journal from 1948 to 1951, has the dubious honor of being frequently invoked as a locus of postwar avant-garde activity in Europe, while its works remain all but invisible outside of the group’s native... continue reading

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