REVIEWS

/ Daniel Buren
View of Daniel Buren’s “Electricity Paper Vinyl...,” Petzel Gallery, New York, 2013.
by

Karen Archey

For nearly five decades, Daniel Buren has used 8.7-centimeter stripes to highlight the lack of phenomenological neutrality of the exhibition space, his ubiquitous colored bands appearing everywhere from institutions such as Paris’s Grand Palais and the Centre Georges Pompidou to the hallowed escalators of Art Basel. (1) Not soon forgotten... continue reading

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