REVIEWS

/ Dominique Gonzalez-Foerster
Dominique Gonzalez-Foerster, CINEMA (QM.15), 2016.
by

Antje Stahl

I was sent into darkness. I couldn’t see a single thing. There was a fuzzy light right behind the gallery door illuminating press releases laid out on a small table, and a gallery staffer equipped with a small flashlight. But she simply pointed into the dark: “That way.” That way was... continue reading
Dominique Gonzalez-Foerster, euqinimod & costumes, 2014.
by

Media Farzin

I puzzled over the word “euqinimod” in the exhibition’s title for some time, until I figured out that it’s the artist’s name spelled backwards. And for viewers familiar with Dominique Gonzalez-Foerster’s work of the past two decades, the show does seem like an inversion of her typical approach, and an... continue reading
View of, “Return to Noreturn”, Esther Schipper, Berlin, 2012.
by

Kirsty Bell

“Return to Noreturn” revisits Dominique Gonzalez-Foerster’s 2008 exhibition in the Turbine Hall of London’s Tate Modern. The anterior references and influences that are often implicated in her works are therefore doubled here, incorporating not only the original exhibition, but also the triggers—personal, literary, historical, cultural—that informed it. Add to this... continue reading

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