REVIEWS

/ Douglas Gordon
Douglas Gordon’s “Phantom”

GALERI MANA, Istanbul

Douglas Gordon, I am Also Hyde, 1962–2011.
by

Merve Unsal

Upon entering Galeri Manâ’s large doors, the viewer is greeted by almost complete darkness. A wooden stage is setup with a projection screen diagonally dividing it into two. On the side closer to the door are the remains of a burnt piano and a new Steinway, glaringly juxtaposed. A heavily... continue reading

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