REVIEWS

/ Jennifer Allora and Guillermo Calzadilla
Allora & Calzadilla

FUNDACIó ANTONI TàPIES, Barcelona

Allora & Calzadilla,  Stop, Repair, Prepare: Variations on Ode to Joy, No.3, 2008.
by

Mariana Canepa Luna

A piercing whistle punctuates the blaring of a trumpet. But in the columned central space of the Fundació Antoni Tàpies, the only visible instrument is a grand piano. For three days a week throughout the course of the exhibition, the instrument is played—and, one could say, worn—by a pianist who... continue reading

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