REVIEWS

/ Jesper Just
Jesper Just

GALERIE PERROTIN, Paris

View of Jesper Just at Galerie Perrotin, Paris, 2013.
by

Mara Hoberman

Singing, dancing, crying, hugging—there has been much discussion over the past decade about how Jesper Just’s films critique codes of masculinity (particularly those established by Hollywood) by showing men doing “unmanly” things. In a hiatus from his androcentric—if critically so—worldview, the three films currently showing at Galerie Perrotin feature... continue reading

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