REVIEWS

/ John Sparagana
John Sparagana’s “Crowds & Powder”

CORBETT VS. DEMPSEY, Chicago

View of John Sparagana, “Crowds & Powder” (on wall), Corbett vs. Dempsey, Chicago, 2014.
by

Daniel Tucker

It is tempting to venerate images of bodies gathered, simply because they are seductive. They contain the charge of all that is political—the possibility of power in conflict. For this reason, they appear consistently in the mediated distribution channels and propaganda produced by the powerful and the powerless alike, ranging... continue reading

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