REVIEWS

/ Kader Attia
Kader Attia, Reason's Oxymorons, 2015.
by

Andrew Stefan Weiner

Despite their enigmatic, aloof character, most of the works in Kader Attia’s current exhibition at Lehmann Maupin are relatively easy to make sense of. Whether in their medium (neoconceptual sculpture), their mode of facture (readymade assemblage), or their topic (cultural hybridization), they exemplify what we now expect of “global contemporary... continue reading
View of Kader Attia, “Scarification, Self Skin’s Architecture,” Galerie Nagel Draxler, Berlin, 2015.
by

Ana Teixeira Pinto

Kader Attia’s current exhibition, “Scarification, Self Skin’s Architecture” at Galerie Nagel Draxler, Berlin, is the latest iteration of a project the French-Algerian artist initiated with his installation The Repair from Occident to Extra-Occidental Cultures, presented at Documenta 13 in 2012. That first iteration could perhaps be described as an essay... continue reading

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Carolina Nitsch
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