REVIEWS

/ Kutlug Ataman
Kutluğ Ataman, Mayhem, 2011.
by

Arnaud Gerspacher

If you’re overly tapped into art world tropes or academic hotspots, it’s tempting to think that there would be little new to offer in the archival impulse, in interrogating documentary conventions, or in playing with the effects fictions have on the facts. But like Harun Farocki, Amar Kanwar, or Omer... continue reading

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