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/ KwieKulik
View of KwieKulik’s “The Monument Without a Passport,” Žak | Branicka, Berlin, 2016.
by

Stefan Heidenreich

Resistance is a two-sided relation. It may also include more players, as we will discuss shortly. But losing its counterpart puts it in a difficult place. All political art has to deal with this dialectic entanglement. In 1976, artists Zofia Kulik and Przemysław Kwiek were summoned to the Polish Ministry of... continue reading

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