REVIEWS

/ Louise Bourgeois
Louise Bourgeois’s “The Empty House”

SCHINKEL PAVILLON, Berlin

Louise Bourgeois, Peaux de Lapins, Chiffons Ferrailles à Vendre [Rabbit skins, Scrap Rags for Sale], 2006.
by

Kimberly Bradley

It’s intimidating to review the work of an artist the stature of Louise Bourgeois, about whom so much has been written, to whom so much has been ascribed. Bourgeois’s life spanned nearly the entire twentieth century and helped redefine what a (feminist) artistic practice can be, how art can intertwine... continue reading

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