REVIEWS

/ Marcel Broodthaers
“Marcel Broodthaers: Écriture”

MICHAEL WERNER, New York

Marcel Broodthaers, Dites Partout Que Je L'Ai Dit, 1974.
by

Alan Gilbert

It’s only appropriate that visitors to Michael Werner’s current Marcel Broodthaers exhibition would encounter a stuffed parrot as part of the installation Dites Partout Que Je L’Ai Dit (1974). Broodthaers was a master at creatively parroting—both consciously and unconsciously—the tropes, images, and theory that may now seem a bit tame... continue reading
Marcel Broodthaers in New York

MARIAN GOODMAN GALLERY, New York

Marcel Broodthaers in New York
by

Media Farzin

There is an ambiguous theatricality to the recent Marcel Broodthaers exhibition at Marian Goodman. The gallery has reconstructed the 1972 Section Cinéma in its entirety (three carefully installed rooms of films and objects), alongside the work's precursor, the 1970 Cinéma Modèle. The theatrical effect is a combination of intention and history: the everydayness of objects, the deliberate archaic quality of the technology, their inevitable ageing, and the... continue reading

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