REVIEWS

/ Martin Creed
View of, "Paintings", Johnen Galerie, Berlin, 2011.
by

Kirsty Bell

What should we make of paintings made by an artist whose self-declared maxim is “The Whole World + The Work = The Whole World”? Whether this stands for an expansive, optimistic “anything goes” or a reductively pessimistic hopelessness is largely a question of personal temperament, or indeed of momentary mood.... continue reading

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Gallery Ernst Hilger
art-agenda
ArtAsiaPacific
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Friedrich Petzel
Anton Kern Gallery
GALLERIA MASSIMODELUCA
Sprueth Magers
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The Third Line
Art Monthly