REVIEWS

/ Martine Syms
View of Martine Syms's "The Easy Demands," Sadie Coles HQ, London, 2017.
by

Morgan Quaintance

What’s to be gained from aestheticizing resistance, from reducing political protest and its violent and repressive fallout to a highly stylized image? This is the final question raised by Martine Syms’s second solo show in London, a tastefully oblique, risk-free display that simultaneously draws on and hollows out the recent... continue reading

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