REVIEWS

/ Matthew Brannon
Matthew Brannon's "Wit's End" at David Kordansky Gallery, Los Angeles
by

Tyler Coburn

Matthew Brannon's letterpress works felt delightfully and deceptively anachronistic in the early decade, resurrecting motifs of mid-century American advertising with pithy captions on the cosmopolitan set. Forged in the margins of ad copy and commodities, the artist's alter egos appeared forever prey to the doubts, inadequacies, and frustrations that even a glitzy, gin-soaked veneer can barely disguise. Little stretching was needed to see the resemblance these fast-lane... continue reading

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