REVIEWS

/ Morgan Fisher
Morgan Fisher,  Ilford Selochrome 120 September 1954, 2014.
by

Maria Palacios Cruz

Since Susan Sontag announced the demise of cinephilia in her prescient 1996 essay “The Decay of Cinema,” discourses around the death of cinema have been widespread, fuelled in part by the replacement of celluloid by digital technology. Since our understanding of the world has been so influenced by movies—one irrevocably... continue reading

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Carolina Nitsch
Aperture
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Xavier Hufkens
flashart