REVIEWS

/ Pedro Paiva
Exhibition view of Alexandre Estrela + João Maria Gusmão and Pedro Paiva's "Lua Cão" at Kunstverein München, 2018.
by

Patrick J. Reed

Watching João Maria Gusmão and Pedro Paiva’s Cowfish (2001) is harrowing. The poor fool struggles on a plate and then pukes a little water before going still. Any viewer would assume the film’s subject—a cowfish—dies, but in the end its survival remains unclear. Death is withheld by a flicker and... continue reading

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