There is something theatrical about Peter Coffin's recent exhibition at Herald St. The scene is set for what appears to be a science-play consistent of three main set components: clouds, hanging plants, and neon wires—backdrops, curtains, and stage lighting. The gallery/stage functions as a cosmic model, or rather a rehearsal of the cosmic process as Antonin Artaud would call it—the study of the study of the study of the Cosmos.
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