REVIEWS

/ Robert Kinmont
Robert Kinmont’s “Wait”

RAEBERVONSTENGLIN, Zürich

Robert Kinmont, Copper Pots (given a chance), 1972.
by

Aoife Rosenmeyer

Much discussion of performance or Land Art from the 1960s and 70s considers whether the art consists of the work itself or its documentation. Could it really be experienced secondhand? Was the art the idea … or the stuff of it? Such recondite questions had to be put in the... continue reading

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