REVIEWS

/ Rosalind Nashashibi
View of Rosalind Nashashibi’s “Two Tribes,” Murray Guy, New York, 2016.
by

Rachael Rakes

Ever-regenerating discussions in mainstream documentary discourse pit form in opposition to function. It is still commonly understood that utility and representable actuality risk becoming diluted or confused by formal invention or experimentation with narrative structure. This reasoning foregrounds a perpetuating valuation in the inherent power of the documentary as a... continue reading
Nashashibi/Skaer at Murray Guy,New York
by

Tyler Coburn

Respected artists in their own right, Rosalind Nashashibi and Lucy Skaer have also led a fruitful collaboration since 2005, pairing their unique temperaments in taut, reflexive films and installations. Theirs is a method that emphasizes the transformations, shifts, and slippages that images and ideas can undergo: through the entropic sedimentation of time, for example, or an act of misrecognition (willed or otherwise) with which an artist can build a new language from extant... continue reading

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