REVIEWS

/ Thomas Locher
(Left) Thomas Locher, Gestell, 1990. (Right) Thomas Locher, A.1 - Z.2, 1989.
by

Ana Teixeira Pinto

Long before post-internet aesthetics and ubiquitous networking began to overhumanize technology, men in gray flannel suits were the standard metaphor for the dehumanizing nature of corporate technocracy. This expression, which swiftly became vernacular, stems from a 1955 novel by Sloan Wilson, The Man in the Gray Flannel Suit, describing the... continue reading

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The Third Line
Aperture
Gallery Ernst Hilger
Deweer
X-TRA
Anton Kern Gallery
Peres Projects
Friedrich Petzel
art-agenda
Tulips & Roses
Xavier Hufkens
Kaleidoscope
Sprueth Magers