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/ Thomas Locher
(Left) Thomas Locher, Gestell, 1990. (Right) Thomas Locher, A.1 - Z.2, 1989.
by

Ana Teixeira Pinto

Long before post-internet aesthetics and ubiquitous networking began to overhumanize technology, men in gray flannel suits were the standard metaphor for the dehumanizing nature of corporate technocracy. This expression, which swiftly became vernacular, stems from a 1955 novel by Sloan Wilson, The Man in the Gray Flannel Suit, describing the... continue reading

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