REVIEWS

/ Various
Fernando Sánchez Castillo, Swing, 2018.
by

Tianyuan Deng

While exhibitions that question the modernist promise of progress are hardly new, a biennale that takes stock of the current state of regress raises high hopes. Historical regression is proceeding on several fronts. One is the collapse of the neoliberal faith in the end-of-history narrative—that liberal democracy and free trade... continue reading

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