REVIEWS

/ CATALINA LOZANO
View of Kerry Tribe's "the word the wall la palabra la pared," Parque Galería, Mexico City, 2017.
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Catalina Lozano

For her first exhibition in Mexico City, LA-based artist Kerry Tribe removed the front wall of Parque Galería and transformed it into a makeshift screening room. The crumbling architecture, with its exposed dry walls and frayed edges, introduces an exhibition in which seemingly solid physical and psychical structures are undone. Tribe’s... continue reading
12th Cuenca Biennial

12TH CUENCA BIENNIAL, Cuenca

View of Benigno Malo School, 12th Cuenca Biennial, Cuenca, 2014.
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Catalina Lozano

The title of this year’s Cuenca Biennial, “Leaving to Return,” is a somewhat self-explanatory expression. It’s not a figure of speech based on metaphor. Rather, it defines intention as being marked by affects, and the truthful will to return as embedded within an affective relation to place. As suggested by... continue reading
Aleksandra Domanović & Sharon Hayes

PROYECTOS MONCLOVA, Mexico City

Aleksandra Domanović, 19:30, 2010–11.
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Catalina Lozano

Aleksandra Domanović’s practice analyzes socio-political transformations through the production of images and narratives largely based on popular culture. By decontextualizing and reconfiguring media content, Domanović delves into the accumulative nature of information and its intrinsic indexicality. Like many artists born on the communist side of the Iron Curtain, she is... continue reading

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Cardi Black Box
Blum&Poe
Gallery Ernst Hilger
X-TRA
e-flux iPad
Marion
sp-arte
GALLERIA MASSIMODELUCA
Magazine Mousse
The breeder
Friedrich Petzel
The Third Line
Spike