REVIEWS

/ EVA DIAZ
Prospect.3: Notes for Now

PROSPECT NEW ORLEANS, New Orleans

Tavares Strachan, You Belong Here, 2014.
by

Eva Diaz

Eighteen venues, scattered around New Orleans. Huge distances between them. A rusty pedal brake cruiser bike. And two and a half days to see it all. This is now the third official Prospect New Orleans since the biennial was inaugurated in 2008. In actuality this is the fourth incarnation of the... continue reading
Walead Beshty and Kelley Walker, Hardbodies Software, 2014.
by

Eva Diaz

The smell of marijuana was really thick in the air at Los Angeles’s Redling Fine Art. “You can get a contact high just walking into this place!” I blurted out to the woman behind the counter. She smiled broadly already stoned? and informed me that the gallery runs exhaust fans... continue reading
Jill Magid’s “Failed States”

HONOR FRASER, Los Angeles

View of "Failed States," Honor Fraser, Los Angeles, 2012.
by

Eva Diaz

The artist Jill Magid went to Texas, and boy did she have a coinkidink coincidence in true Southwestern style. By which I mean it involved guns. After being invited to create a project for Arthouse in Austin, she became interested in Vanity Fair’s profile of a sniper who had done... continue reading

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