REVIEWS

/ JACQUELYN DAVIS
Katarina Löfström

ANDRéHN-SCHIPTJENKO, Stockholm

View of Katarina Löfström, Andréhn-Schiptjenko, Stockholm, 2013.
by

Jacquelyn Davis

In Katarina Löfström’s third solo exhibition at Andréhn-Schiptjenko, one is cajoled by both the comfort of repetition and sensory parameters related to any given reality. Perception, after all, is adaptable and even, at times, restrained. Human beings are able to train themselves to hone attractive skills and master talents through... continue reading

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