REVIEWS

/ SIMON REES
Július Koller, Otáznik (Anti-Happening), 1969.
by

Simon Rees

Anyone who grew up in the 1970s and watched the Children’s Television Network/PBS educational series Sesame Street was subliminally prepared for the gamut of conceptualism in (contemporary) art. No character prepared one better than the “Mad Painter,” who popped up in the unlikeliest of places in his Chaplinesque bowler hat... continue reading

AUTHOR

view all

GALLERY

view all
Abc
Bq
Kow
M+B
Non
Vw

ARTIST

view all
Marion
galeria nara roesler
Xavier Hufkens
Afterimage
The Third Line
Carolina Nitsch
Gallery Ernst Hilger
Art Newspaper
Kaleidoscope
Vitamin creative space
Brooklyn Rail
Art Monthly
flashart