REVIEWS

/ SIMON REES
Július Koller, Otáznik (Anti-Happening), 1969.
by

Simon Rees

Anyone who grew up in the 1970s and watched the Children’s Television Network/PBS educational series Sesame Street was subliminally prepared for the gamut of conceptualism in (contemporary) art. No character prepared one better than the “Mad Painter,” who popped up in the unlikeliest of places in his Chaplinesque bowler hat... continue reading

AUTHOR

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GALLERY

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Abc
Bq
Kow
M+B
Non
Vw

ARTIST

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MIA Art Fair
Magazine Mousse
Deweer
Vitamin creative space
Michael Kon
e-flux iPad
galeria nara roesler
Hilger
Friedrich Petzel
Cardi Black Box
Gallery Ernst Hilger
The Third Line
Brooklyn Rail