REVIEWS

/ SIMON REES
Július Koller, Otáznik (Anti-Happening), 1969.
by

Simon Rees

Anyone who grew up in the 1970s and watched the Children’s Television Network/PBS educational series Sesame Street was subliminally prepared for the gamut of conceptualism in (contemporary) art. No character prepared one better than the “Mad Painter,” who popped up in the unlikeliest of places in his Chaplinesque bowler hat... continue reading

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