REVIEWS

/ SIMON REES
Július Koller, Otáznik (Anti-Happening), 1969.
by

Simon Rees

Anyone who grew up in the 1970s and watched the Children’s Television Network/PBS educational series Sesame Street was subliminally prepared for the gamut of conceptualism in (contemporary) art. No character prepared one better than the “Mad Painter,” who popped up in the unlikeliest of places in his Chaplinesque bowler hat... continue reading

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GALLERY

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Abc
Bq
Kow
M+B
Non
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ARTIST

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Art Newspaper
Peres Projects
flashart
Cardi Black Box
Spike
Gallery Ernst Hilger
The breeder
Art Monthly
Vitamin creative space
Michael Kon
galeria nara roesler
Carolina Nitsch
Aperture