REVIEWS

/ SIMON REES
Július Koller, Otáznik (Anti-Happening), 1969.
by

Simon Rees

Anyone who grew up in the 1970s and watched the Children’s Television Network/PBS educational series Sesame Street was subliminally prepared for the gamut of conceptualism in (contemporary) art. No character prepared one better than the “Mad Painter,” who popped up in the unlikeliest of places in his Chaplinesque bowler hat... continue reading

AUTHOR

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GALLERY

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Abc
Bq
Kow
M+B
Non
Vw

ARTIST

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Vitamin creative space
The breeder
MIA Art Fair
e-flux iPad
Friedrich Petzel
Peres Projects
P420
Cardi Black Box
ArtAsiaPacific
Luisa Strina
Magazine Mousse
Michael Kon
Spike