REVIEWS

/ FEDERICO FLORIAN
Thea Djordjadze’s “Oxymoron Grey”

KAUFMANN REPETTO, Milan

View of Thea Djordjadze, “Oxymoron Grey,” kaufmann repetto, Milan, 2014.
by

Federico Florian

The raw material of Thea Djordjadze’s work is memory—of past times, faraway places, and emotions. “Oxymoron Grey”—her new (and second) solo show at Milan’s kaufmann repetto gallery—seems to illustrate this idea entirely and intimately. The exhibition’s title may allude to the “oxymoronic” nature of her art, which hovers between painting... continue reading

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