REVIEWS

/ CHRIS REITZ
View of Martin Kippenberger, “The Raft of the Medusa,” Skarstedt, New York.
by

Chris Reitz

In 1996, his body bloated, his liver consumed by cancer, and his work more popular than ever, Martin Kippenberger (1953–1997) set about his final series of self-portraits. Taking Théodore Géricault’s iconic 1818–19 painting as its point of departure, and working from photographs taken by his wife Elfie Semotan, “The Raft... continue reading

AUTHOR

view all

GALLERY

view all
Abc
Bq
Kow
M+B
Non
Vw

ARTIST

view all
Marion
Brooklyn Rail
Art Newspaper
Afterimage
Art Monthly
Carolina Nitsch
Aperture
The breeder
Camera Austria
X-TRA
Kaleidoscope
Blum&Poe
Spike