REVIEWS

/ CHRIS REITZ
View of Martin Kippenberger, “The Raft of the Medusa,” Skarstedt, New York.
by

Chris Reitz

In 1996, his body bloated, his liver consumed by cancer, and his work more popular than ever, Martin Kippenberger (1953–1997) set about his final series of self-portraits. Taking Théodore Géricault’s iconic 1818–19 painting as its point of departure, and working from photographs taken by his wife Elfie Semotan, “The Raft... continue reading

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