REVIEWS

/ LUCA CERIZZA
View of gallery visitors and René Block playing Mauricio Kagel’s Rahmenharfe, 1970, part of “Akustische Räume VII,” at Galerie René Block, Berlin, September 17, 1970.
by

Luca Cerizza

In tandem with “Ich kenne kein Weekend. Archive and Collection René Block,” a double-venue exhibition recognizing the work of gallerist, curator and collector René Block organized in Berlin this autumn, art-agenda presents a three-part feature on Block. Part I and II consist of an interview led by Luca Cerizza, while... continue reading
René Block’s map outlining his activities 1964–2014.
by

Luca Cerizza

In tandem with “Ich kenne kein Weekend: Archive and Collection René Block,” a double-venue exhibition recognizing the work of gallerist, curator, and collector René Block organized in Berlin this autumn, art-agenda presents a three-part feature on Block. Part I and II consist of an interview led by Luca Cerizza, while... continue reading
View of Kazuko Miyamoto, “Nesting,” A.I.R. Gallery, New York, 1980.
by

Luca Cerizza

This column aims to introduce and analyze the activity of a number of gallerists and galleries. I am interested in presenting not necessarily the history of major galleries and their successful careers, but to reflect on a series of experimental approaches to the gallery format, and to discuss the different... continue reading
Pino Pascali, Il Mare [The Sea], 1966.
by

Luca Cerizza

On Fabio Sargentini’s website, the heading “gallerista regista scrittore” (gallerist, director, writer) appears directly under his name.(1) While this text is dedicated only to the first of the above-mentioned professions, it will also consider the very peculiar nature of Sargentini’s various activities through almost half a century. A multifaceted figure,... continue reading

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GALLERY

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ARTIST

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Michael Kon
Brooklyn Rail
GALLERIA MASSIMODELUCA
Magazine Mousse
Aperture
Afterimage
e-flux iPad
The breeder
Deweer
Hilger
Peres Projects
Camera Austria
Sprueth Magers