REVIEWS

/ ORIT GAT
Vienna Roundup

VARIOUS LOCATIONS, Vienna

View of Ferdinand Kriwet's "KRIWET," curated by Gregor Jansen, Georg Kargl Fine Arts, Vienna, 2017.
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Orit Gat

Walking home at night, I pass by Campaign (1972), a two-channel video installation by Ferdinand Kriwet projected onto the storefront windows of Georg Kargl Fine Arts. In the dark street, the images of television footage from the 1972 US presidential campaign fronting Richard Nixon and George McGovern are silent; at... continue reading
Daisuke Kosugi, Good Name (Bad Phrase), 2017.
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Orit Gat

You put on headphones and wander across a football field at the end of the world. There are instructions: “Go to the corner of the field, or if there is someone there, stand at the goal line at a place where you can see the entire pitch.” From an iPod... continue reading
New York City Roundup

VARIOUS LOCATIONS, New York

Robert Longo, Untitled (Raft at Sea), 2016–2017.
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Orit Gat

As I missed out on international art events this season because New York is so far away, all I could think of was how unlucky their curators are. You work on Venice or Documenta for a year or two or four. You start out researching when there’s a somewhat liberal... continue reading
Halil Altindere’s “Space Refugee”

ANDREW KREPS GALLERY, New York

View of Halil Altindere's "Space Refugee," Andrew Kreps Gallery, New York, 2017.
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Orit Gat

Muhammed Ahmed Faris is the only Syrian who has traveled to outer space. A colonel in the Syrian Air Force, Faris—the subject of Turkish artist Halil Altindere’s video Space Refugee (2016)—joined the Soviet cosmonaut program in 1985 and was part of a mission to the Mir Space Station in 1987.... continue reading
Warsaw Gallery Weekend

VARIOUS LOCATIONS, Warsaw

Błażej Pindor, Deconstruction, 2016.
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Orit Gat

In a city where most galleries are located in apartments, the experience of visiting exhibitions goes against the art-tourist impulse to catch as catch can. Stand outside buildings, buzz in, climb stairs, see the neighbors in the hallway—it’s an experience of proximity that is different from viewing art at a... continue reading
Amie Siegel, Double Negative, 2015.
by

Orit Gat

Exhibition spaces are, at times, haunted by the work they housed in the past. Walk through a museum and former installations will reverberate. Think of the Arsenale in Venice, visited by the ghosts of biennials past. This is all the more evident in galleries. The steady relationship between a gallery... continue reading

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ARTIST

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Deweer
Tulips & Roses
Friedrich Petzel
sp-arte
Brooklyn Rail
flashart
ArtAsiaPacific
The breeder
Cardi Black Box
Blum&Poe
Afterimage
Air the paris
GALLERIA MASSIMODELUCA