REVIEWS

/ NANCY DANTAS
View of Kemang Wa Lehulere, “To whom it may concern,” Stevenson Gallery, Cape Town, 2015.
by

Nancy Dantas

If mourning is a working-through of past history, a process that, if effective, results in a letting go, then South African-born Kemang Wa Lehulere embodies the melancholic, the subject who refuses to release the lost object; a grieving subject whose pain knows no end. When considering the work of Kemang Wa... continue reading

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