REVIEWS

/ DOREEN MENDE
View of Ruth Wolf-Rehfeldt, “SIGNS FICTIONS,” Chert, Berlin, 2015.
by

Doreen Mende

How can one detach oneself from the contemporary communicative capitalism that legitimizes the perpetual upgrading of governmental surveillance, as recently exemplified by certain state responses to the shootings at the offices of Charlie Hebdo in Paris? A valuable point of entry is the work of artists who lived under extreme... continue reading

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Xavier Hufkens
Tulips & Roses
Art Monthly
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Afterimage
Hilger
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Friedrich Petzel
Camera Austria
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