REVIEWS

/ DOREEN MENDE
View of Ruth Wolf-Rehfeldt, “SIGNS FICTIONS,” Chert, Berlin, 2015.
by

Doreen Mende

How can one detach oneself from the contemporary communicative capitalism that legitimizes the perpetual upgrading of governmental surveillance, as recently exemplified by certain state responses to the shootings at the offices of Charlie Hebdo in Paris? A valuable point of entry is the work of artists who lived under extreme... continue reading

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GALLERY

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Abc
Bq
Kow
M+B
Non
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ARTIST

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Air the paris
Spike
galeria nara roesler
Gallery Ernst Hilger
Peres Projects
Magazine Mousse
Blum&Poe
Sprueth Magers
Vitamin creative space
Tulips & Roses
The breeder
Kaleidoscope
Camera Austria