REVIEWS

/ DOREEN MENDE
View of Ruth Wolf-Rehfeldt, “SIGNS FICTIONS,” Chert, Berlin, 2015.
by

Doreen Mende

How can one detach oneself from the contemporary communicative capitalism that legitimizes the perpetual upgrading of governmental surveillance, as recently exemplified by certain state responses to the shootings at the offices of Charlie Hebdo in Paris? A valuable point of entry is the work of artists who lived under extreme... continue reading

AUTHOR

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GALLERY

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Abc
Bq
Kow
M+B
Non
Vw

ARTIST

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galeria nara roesler
Xavier Hufkens
GALLERIA MASSIMODELUCA
MIA Art Fair
Kaleidoscope
sp-arte
Cardi Black Box
Camera Austria
Air the paris
Deweer
Art Newspaper
Spike
flashart