REVIEWS

/ DOREEN MENDE
View of Ruth Wolf-Rehfeldt, “SIGNS FICTIONS,” Chert, Berlin, 2015.
by

Doreen Mende

How can one detach oneself from the contemporary communicative capitalism that legitimizes the perpetual upgrading of governmental surveillance, as recently exemplified by certain state responses to the shootings at the offices of Charlie Hebdo in Paris? A valuable point of entry is the work of artists who lived under extreme... continue reading

AUTHOR

view all

GALLERY

view all
Abc
Bq
Kow
M+B
Non
Vw

ARTIST

view all
sp-arte
Carolina Nitsch
Art Monthly
Xavier Hufkens
Air the paris
Brooklyn Rail
Friedrich Petzel
X-TRA
art-agenda
Spike
P420
ArtAsiaPacific
MIA Art Fair