REVIEWS

/ DOREEN MENDE
View of Ruth Wolf-Rehfeldt, “SIGNS FICTIONS,” Chert, Berlin, 2015.
by

Doreen Mende

How can one detach oneself from the contemporary communicative capitalism that legitimizes the perpetual upgrading of governmental surveillance, as recently exemplified by certain state responses to the shootings at the offices of Charlie Hebdo in Paris? A valuable point of entry is the work of artists who lived under extreme... continue reading

AUTHOR

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GALLERY

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Abc
Bq
Kow
M+B
Non
Vw

ARTIST

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The breeder
Aperture
MIA Art Fair
Brooklyn Rail
e-flux iPad
Xavier Hufkens
The Third Line
Air the paris
P420
Michael Kon
Carolina Nitsch
X-TRA
Sprueth Magers