REVIEWS

/ DOREEN MENDE
View of Ruth Wolf-Rehfeldt, “SIGNS FICTIONS,” Chert, Berlin, 2015.
by

Doreen Mende

How can one detach oneself from the contemporary communicative capitalism that legitimizes the perpetual upgrading of governmental surveillance, as recently exemplified by certain state responses to the shootings at the offices of Charlie Hebdo in Paris? A valuable point of entry is the work of artists who lived under extreme... continue reading

AUTHOR

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GALLERY

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Abc
Bq
Kow
M+B
Non
Vw

ARTIST

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Vitamin creative space
Cardi Black Box
Carolina Nitsch
galeria nara roesler
X-TRA
P420
Marion
Peres Projects
art-agenda
Kaleidoscope
Anton Kern Gallery
GALLERIA MASSIMODELUCA
Sprueth Magers