REVIEWS

/ RACHEL WETZLER
Frieze New York

FRIEZE ART FAIR, New York

View of Frieze New York 2017.
by

Rachel Wetzler

The first thing I saw upon entering the tent at Frieze New York was Elmgreen and Dragset’s Rite of Passage (2014) at Massimo De Carlo, a tattered sign bearing the word “MIRACLE” with a white vulture perched on top, flanked by lengths of torn chain link fence. This dismal tableau... continue reading
View of “The Avant-Garde Won’t Give Up: Cobra and Its Legacy,” Blum & Poe, New York, 2015.
by

Rachel Wetzler

Cobra, a short-lived association of artists based in Copenhagen, Brussels, and Amsterdam who published an eponymous journal from 1948 to 1951, has the dubious honor of being frequently invoked as a locus of postwar avant-garde activity in Europe, while its works remain all but invisible outside of the group’s native... continue reading

AUTHOR

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GALLERY

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Abc
Bq
Kow
M+B
Non
Vw

ARTIST

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Friedrich Petzel
Tulips & Roses
Camera Austria
galeria nara roesler
Sprueth Magers
Art Newspaper
Luisa Strina
e-flux iPad
flashart
Xavier Hufkens
Blum&Poe
Brooklyn Rail
GALLERIA MASSIMODELUCA