REVIEWS

/ RACHEL WETZLER
Frieze New York

FRIEZE ART FAIR, New York

View of Frieze New York 2017.
by

Rachel Wetzler

The first thing I saw upon entering the tent at Frieze New York was Elmgreen and Dragset’s Rite of Passage (2014) at Massimo De Carlo, a tattered sign bearing the word “MIRACLE” with a white vulture perched on top, flanked by lengths of torn chain link fence. This dismal tableau... continue reading
View of “The Avant-Garde Won’t Give Up: Cobra and Its Legacy,” Blum & Poe, New York, 2015.
by

Rachel Wetzler

Cobra, a short-lived association of artists based in Copenhagen, Brussels, and Amsterdam who published an eponymous journal from 1948 to 1951, has the dubious honor of being frequently invoked as a locus of postwar avant-garde activity in Europe, while its works remain all but invisible outside of the group’s native... continue reading

AUTHOR

view all

GALLERY

view all
Abc
Bq
Kow
M+B
Non
Vw

ARTIST

view all
galeria nara roesler
Cardi Black Box
Sprueth Magers
Anton Kern Gallery
ArtAsiaPacific
Xavier Hufkens
Vitamin creative space
Art Paris
Friedrich Petzel
Kaleidoscope
Art Monthly
Hilger
Deweer