REVIEWS

/ MATTHEW MCLEAN
Dan Coopey’s “Dry”

KUBIKGALLERY, Porto

View of Dan Coopey’s “Dry,” Kubikgallery, Porto, 2017.
by

Matthew McLean

One origin myth of ceramics: that far back in prehistory, basket makers packed their containers with clay to form a lining, and one day dropped one of these vessels into a fire, finding, when the ashes cooled, that the clay had hardened and remained where the woven structure was destroyed.(1) Ceramics,... continue reading
View of Ian Cheng, Emissary Forks at Perfection, Pilar Corrias, London, 2015.
by

Matthew McLean

“How long do I need to stay,” I asked a staff member at Pilar Corrias of Ian Cheng’s Emissary Forks at Perfection (2015), “to watch the whole thing?” “It’s a live simulation,” they said of the title work of the artist’s first solo exhibition in London, “so it’s infinite.” Reconsidering,... continue reading

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