REVIEWS

/ MARINA VISHMIDT
George Barber’s “Fences Make Senses”

WATERSIDE CONTEMPORARY, London

View of George Barber's "Fences Make Senses," waterside contemporary, London, 2015.
by

Marina Vishmidt

You could imagine it happening in a George Barber video. Nothing for a while, then three come along at once—you can almost hear the folksy, mordant voiceover that features in so many of them. Like the cars filmed from above driving an abstract expressionist tableau into being in Automotive Action... continue reading

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Art Monthly