REVIEWS

/ MARIANA CANEPA LUNA
Allora & Calzadilla

FUNDACIó ANTONI TàPIES, Barcelona

Allora & Calzadilla,  Stop, Repair, Prepare: Variations on Ode to Joy, No.3, 2008.
by

Mariana Canepa Luna

A piercing whistle punctuates the blaring of a trumpet. But in the columned central space of the Fundació Antoni Tàpies, the only visible instrument is a grand piano. For three days a week throughout the course of the exhibition, the instrument is played—and, one could say, worn—by a pianist who... continue reading
View of Ana Jotta’s “Abans que me n’oblidi (Before I forget),” ProjecteSD, Barcelona, 2016.
by

Mariana Canepa Luna

While it has been widely exhibited in her native Portugal, Ana Jotta’s work hasn’t been presented in depth to the Barcelona public since the early 1990s.(1) So this mini-survey of her production from 1980 to the present, framed as part of the Barcelona Gallery Weekend, is overdue. “Abans que me... continue reading
Francesc Ruiz’s “Correos”

GARCíA GALERíA, Madrid

View of Francesc Ruiz, “Correos,” garcía galería, Madrid, 2016.
by

Mariana Canepa Luna

Francesc Ruiz’s second solo show at Madrid’s garcía galería delves into the visual communication of one of Spain’s most iconic institutions, the Sociedad Estatal Correos y Telégrafos—the national postal service, commonly known as Correos—whose graphic identity was created in 1977 by Spanish designer and artist José María Cruz Novillo (b.... continue reading

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MIA Art Fair
Anton Kern Gallery
Cardi Black Box
Hilger
Art Newspaper
Peres Projects
The breeder
ArtAsiaPacific
Tulips & Roses
Camera Austria
Brooklyn Rail
Gallery Ernst Hilger
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