REVIEWS

/ HERB SHELLENBERGER
Samson Kambalu, Snow on the Hill, 2016.
by

Herb Shellenberger

“A repetitive moment becomes eternity.” This fragment of speech, ringing through Tate Modern’s Turbine Hall in Philippe Parreno’s installation Anywhen (2016), might equally describe the frustration or elation of viewers’ experiences of moving image artworks. This season’s blockbuster exhibitions of film and video—Frieze Film (October 6–9, 2016), BFI London Film... continue reading

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Vitamin creative space
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galeria nara roesler
Brooklyn Rail
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