REVIEWS

/ MAXIM IVANOV
Russian Pavilion: “Theatrum Orbis”

57TH VENICE BIENNALE, Venice

Grisha Bruskin, Scene from 2016-2017, 2017.
by

Maxim Ivanov

The reign of Stella Kesaeva and the Stella Art Foundation over the Russian Pavilion at the Venice Biennale ended in 2015. Over the course of three biennales, they showed western audiences works by the artists who secured Moscow conceptualism’s place in art history, and transformed it into an export commodity... continue reading

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Kaleidoscope
Brooklyn Rail
Anton Kern Gallery
Spike
Carolina Nitsch
Afterimage
X-TRA
Luisa Strina
Camera Austria
Magazine Mousse
Art Newspaper
Air the paris
Michael Kon