REVIEWS

/ TOM MORTON
Stefan Tcherepnin’s “The Mad Masters”

STEDELIJK MUSEUM, Amsterdam

View of Stefan Tcherepnin's "The Mad Masters," Stedelijk Museum, Amsterdam, 2018.
by

Tom Morton

It’s hard to think of another Muppet, or any other fictional character, with so streamlined a motivation as the Cookie Monster. Debuting in the kids’ TV show Sesame Street in 1969, this bug-eyed, blue-furred humanoid has spent almost five decades in the relentless pursuit of sugary biscuits, to the exclusion... continue reading
View of Tamara Henderson's "Seasons End: Panting Healer," Rodeo, London, 2017.
by

Tom Morton

A rule of thumb: hearing about other people’s trips abroad is boring. Another: hearing about their dreams is even worse. Given that the work of Tamara Henderson draws on the Canadian artist’s world-girdling nomadism (her CV is a litany of travel grants and residencies) and her own unconscious (past projects... continue reading

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Xavier Hufkens
Camera Austria
Magazine Mousse
Gallery Ernst Hilger
Art Monthly
The Third Line
X-TRA
ArtAsiaPacific
Cardi Black Box
Spike
Air the paris
Luisa Strina
Sprueth Magers