REVIEWS

/ TOM MORTON
Stefan Tcherepnin’s “The Mad Masters”

STEDELIJK MUSEUM, Amsterdam

View of Stefan Tcherepnin's "The Mad Masters," Stedelijk Museum, Amsterdam, 2018.
by

Tom Morton

It’s hard to think of another Muppet, or any other fictional character, with so streamlined a motivation as the Cookie Monster. Debuting in the kids’ TV show Sesame Street in 1969, this bug-eyed, blue-furred humanoid has spent almost five decades in the relentless pursuit of sugary biscuits, to the exclusion... continue reading
View of Tamara Henderson's "Seasons End: Panting Healer," Rodeo, London, 2017.
by

Tom Morton

A rule of thumb: hearing about other people’s trips abroad is boring. Another: hearing about their dreams is even worse. Given that the work of Tamara Henderson draws on the Canadian artist’s world-girdling nomadism (her CV is a litany of travel grants and residencies) and her own unconscious (past projects... continue reading

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ArtAsiaPacific
Spike
Hilger
art-agenda
galeria nara roesler
Aperture
Friedrich Petzel
Blum&Poe
Brooklyn Rail
Marion
X-TRA
Magazine Mousse
Carolina Nitsch