REVIEWS

/ TOM MORTON
Stefan Tcherepnin’s “The Mad Masters”

STEDELIJK MUSEUM, Amsterdam

View of Stefan Tcherepnin's "The Mad Masters," Stedelijk Museum, Amsterdam, 2018.
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Tom Morton

It’s hard to think of another Muppet, or any other fictional character, with so streamlined a motivation as the Cookie Monster. Debuting in the kids’ TV show Sesame Street in 1969, this bug-eyed, blue-furred humanoid has spent almost five decades in the relentless pursuit of sugary biscuits, to the exclusion... continue reading
View of Tamara Henderson's "Seasons End: Panting Healer," Rodeo, London, 2017.
by

Tom Morton

A rule of thumb: hearing about other people’s trips abroad is boring. Another: hearing about their dreams is even worse. Given that the work of Tamara Henderson draws on the Canadian artist’s world-girdling nomadism (her CV is a litany of travel grants and residencies) and her own unconscious (past projects... continue reading

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