REVIEWS

/ MAX L. FELDMAN
Haim Steinbach’s “Mojave”

GALERIE HUBERT WINTER, Vienna

Haim Steinbach, eswürdesoaussehen, 2018.
by

Max L. Feldman

“Mojave” is the name of the rectangular desert-yellow color furthest to the left in Haim Steinbach’s mural eswürdesoaussehen [itwouldlooklikethis] (2018). Painted on the back wall of the gallery, this 13-color dissection of an Ellsworth Kelly painting is individuated by English translations of the Austrian names of wall paint hues (Hitradio... continue reading
Július Koller’s “Subjektobjekt”

GALERIE MARTIN JANDA, Vienna

Július Koller, Question Mark 1-4, Anti-Happening, 1969.
by

Max L. Feldman

Július Koller’s “anti-happenings” are reflexive practices, acting out a lived situation—relating mostly to Czechoslovakia’s repressive, post–Prague Spring “normalization” period between 1969 and 1987 and the limits of artistic activity at the time. Documenting silly or banal everyday activities, including ping-pong games, taking photographs of groups standing in a question mark... continue reading

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