Delia Gonzalez, The Osiris Gate I & II, 2017.

Barbara Casavecchia

I had forgotten about The Day After until the North Korea/US missile crisis brought it back to mind with a bang. Aired in November 1983, the American TV movie terrified over 100 million viewers with its graphic images of a nuclear conflict between the US and the Soviet Union, leading... continue reading
View of "Cosmic Communities: Coming Out Into Outer Space – Homofuturism, Applied Psychedelia & Magic Connectivity."

Alan Gilbert

There is an astonishing sequence in Robert Mugge’s 1980 film Sun Ra: A Joyful Noise, a documentary about the great intergalactic avant-garde jazz musician, artist, and poet. It occurs when Sun Ra is playing a solo during his band’s—the Arkestra—performance in a Baltimore ballroom. Sun Ra stands in front of... continue reading
William Forsythe, Black Flags, 2014.

Jennifer Piejko

There were no hesitations, no missteps; no point at which one limb converged onto another, when one cut of cloth got caught up in another. A pair of machines, whose materials were listed obliquely, solely, as “readymade industrial robots,” rest promenade-style, side by side, oriented toward the entrance—toward me—before the... continue reading
Corin Sworn, Temporal Arrangements (detail), 2010.

Tom Jeffreys

Flowers fade at different rates. In the November chill of a Glasgow art gallery, cut flowers—carefully arranged in a vase on the floor, their silhouette cast against the wall by the light from a projector—are taking their time to die, or to appear dead. (When exactly do cut flowers die?)... continue reading
Runo Lagomarsino, We have been called many names, 2017.

Maria Kjaer Themsen

Nils Staerk is the latest commercial gallery to spring up amidst the coffee shops and organic wine bars in Nordvest, a district of Copenhagen that the local media are more likely to associate with violent crime and unemployment. A further reminder of the uncomfortable coexistence of two worlds stands directly... continue reading
David Blandy, The End of the World, 2017.

Patrick Langley

In his three-volume book Principles of Geology (1830-1833), Charles Lyell pioneered a theory whose clunky title belies its elegance. Uniformitarianism, as Lyell’s argument is known, suggests that the earth was shaped, over hundreds of millions of years, by incremental processes that are observable all around us: erosion, sedimentation, and so... continue reading


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MIA Art Fair
Peres Projects
Friedrich Petzel
The breeder
Camera Austria
Anton Kern Gallery
Tulips & Roses
The Third Line
Air the paris