REVIEWS

/ Ballroom Marfa
“Hyperobjects”

BALLROOM MARFA, Marfa

Emilija Skarnulyte, Sirenomelia, 2018.
by

Travis Diehl

In the back of Ballroom Marfa plays Emilija Škarnulyte’s video Sirenomelia (2018)—a short apocalyptic trilogy that explores the ruins of some of our species’ most advanced achievements in physics. A camera drifts, disembodied, through the Super-Kamiokande neutrino observatory in Japan. Pieces of CERN’s giant supercollider in Switzerland peel apart as... continue reading

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